Open instrumentation music offers performers flexibility and creativity, letting them select their instrument combinations based on what’s available. This page catalogs pieces that embrace adaptability, inviting diverse interpretations across various ensembles.
This collection includes works by renowned composers like Raven Chacon, Terry Riley, Frederic Rzewski, Louis Andriessen, and Eve Beglarian, whose contributions have significantly shaped the open instrumentation landscape. Their compositions often emphasize experimentation and collaboration, making them ideal choices for performers seeking music that defies conventional instrumentation.
This growing list provides a valuable resource for performers, educators, and ensemble directors. Each piece here is chosen for its adaptability, whether you’re seeking music for unconventional instrument combinations or searching for works that allow performers to experiment with unique ensemble structures.
As this database evolves, I welcome your input. If you know of additional music that would complement this collection or notice any errors, please reach out. Let’s build a comprehensive collection that reflects the diversity and creativity of open instrumentation compositions.
I hope this list serves you well.
Open Instrumentation Composition Database
A non-comprehensive list of open instrumentation pieces. For "# of Performers," 'variable' could mean anything from 1 on up, though most require at least a handful of performers; I attempted to specifically note pieces that require only one or two. Please contact me if you notice a piece that is missing or if you have corrections for info in the database. I attempted to avoid fully graphic scores. The notation systems are: 'pitch and rhythm' (mostly traditional notation typically with instructions), 'text' (fully or nearly fully text instructions), and 'animated' (notation involving elements of graphic and traditional). Open cells in the chart indicate that I have no information on this aspect of the work.Composer | Title | Year | # of Performers | Duration | Notation | Details |
---|---|---|---|---|---|---|
Abis, Amoret | When | 2013 | cello solo with 4 variable and piano | 9' | pitch and rhythm | [Score][Details/Performance] |
Ahn, Jean | Salt | 2007/2016 | variable with piano | variable | pitch and rhythm | [Score][Performance] |
Andriessen, Louis | Workers' Union | 1975 | variable | 15'-20' | pitch and rhythm | [Score][Details][Performance] |
Ablinger, Peter | Black Series | 2010-2012 | variable | text | [Details] | |
Albert, Thomas | A Maze (With Grace) | 1975/2003 | variable | variable | [Details][Performance] | |
Albert, Thomas | Devil's Rain | 1986 | variable | variable | [Details][Performance] | |
Albert, Thomas | ...And It Comes Out Here | 1973 | variable | variable | [Details] | |
Atkins, Michael | Antiphonal | 2002 | 2 or more | pitch and rhythm | [Details/Score] | |
Atkins, Michael | Autumn Thoughts | 2003 | 4 or more with speaking and optional snare drum | pitch and rhythm | [Details/Score] | |
Atkins, Michael | Do Geese See God | 2001 | 1 with variable voices | pitch and rhythm | [Score] | |
Atkins, Michael | Loose Canon | 2002 | 3 or more | pitch and rhythm | [Details/Score] | |
Bailie, Joanna | Hildegardstrasse/Bundesalle | 2019 | 4 or more | 6'15" | pitch and rhythm | [Details/Score] |
Barlow, Diamond Luke | Partial Recovery | 2004 | 4 or more (treble and bass) | 5' | pitch and rhythm | [Details/Score] |
Barrett, Richard | Codex V | 2007 | 12 or more | [Details][Performance] | ||
Barry, Gerald | Baroness von Ritkart | 2014 | 5' | [Details] | ||
Báthory-Kitsz, Dennis | 99 Events for the Found, the Made, and the Natural | 2007 | variable | variable | text | [Details][Score] |
Báthory-Kitsz, Dennis | California Exile Sour | 1975 | 1 and 2 groups | 5' | pitch and rhythm and text | [Score] |
Báthory-Kitsz, Dennis | Candled Piano Music | 1975 | 4 with piano | 3'-7' | text | [Details][Score] |
Báthory-Kitsz, Dennis | Cat Music for Claire and Tom | 1972 | 2 with cats | 1 year | text | [Score] |
Báthory-Kitsz, Dennis | DEX | 2017 | variable | 10'-15' | text and graphic | [Details][Score] |
Báthory-Kitsz, Dennis | DEX II 3d | 2018 | variable | 10'-15' | text and graphic | [Details][Score][Performance] |
Báthory-Kitsz, Dennis | Doctor Dollar's Magic Salad | 1972 | 2-12 | 5'-20' | text | [Details][Score][Performance] |
Báthory-Kitsz, Dennis | Gendarme | 1977 | 99 | 1 year | text | [Details][Score] |
Báthory-Kitsz, Dennis | A Little Shade Music for Maggie | 1992 | 3 | 20'-40' | text | [Score] |
Báthory-Kitsz, Dennis | Malpractice Insurance | 1975 | 2 | variable | text | [Score] |
Báthory-Kitsz, Dennis | Permutrance V | 1986 | 1 | variable | text | [Score][Score] |
Báthory-Kitsz, Dennis | Specimen | 1975 | 6 | 3' | pitch and rhythm | [Score] |
Báthory-Kitsz, Dennis | Teething Rings | 1975 | 1 | variable | text | [Details][Score] |
Báthory-Kitsz, Dennis | Thread Count | 2014 | 9 strings and conductor | 17' or longer | pitch and rhythm with text | [Details][Score] |
Beglarian, Eve | All Ways | 2001 | variable | 3'30" | [Score][Performance] | |
Beglarian, Eve | Brownie Feet | 2008 | variable | 4' | [Score][Performance] | |
Beglarian, Eve | The Continuous Life | 2000 | variable | 14'30" | [Score][Performance] | |
Beglarian, Eve | Did he promise you tomorrow? | 2011 | variable | 3'30" | [Score][Performance] | |
Beglarian, Eve | Early in the Morning | 2010 | variable | 8' | [Score][Performance] | |
Beglarian, Eve | The Flood | 2008 | variable | 3' | [Score][Performance] | |
Beglarian, Eve | From the Same Melancholy Fate | 2015 | 1 | 6' | [Score][Performance] | |
Beglarian, Eve | In Huts and on Journeys | 2017 | speaker and mobile phones | 2' | [Score][Performance] | |
Beglarian, Eve | I am really a very simple person | 2010 | variable | 5' | [Score][Performance] | |
Beglarian, Eve | The Island of Sirens | 2011 | vocalist and 3 instrumentalists | [Score][Performance] | ||
Beglarian, Eve | Light Up Your Face | 2013 | actor, singer, and variable | 5' | [Score][Performance] | |
Beglarian, Eve | Machaut in the Age of Motown | 2005 | variable | 5'30" | [Score][Performance] | |
Beglarian, Eve | Machaut in the Machine Age I: Douce dame jolie | 1986 | variable | 5' | [Score][Performance] | |
Beglarian, Eve | The Marriage of Heaven and Hell | 1994 | variable | 14' | [Score][Performance] | |
Beglarian, Eve | Michael's Spoon | 1984 | variable | 7' | [Score][Performance] | |
Beglarian, Eve | Play Like a Girl | 2014 | variable | 3' | [Score][Performance] | |
Beglarian, Eve | Preciosilla | 1990 | 1 Single-line instrument and tape | [Score] | ||
Beglarian, Eve | Until it Blazes | 2001 | 1 plucked string instrument | 5'-25' | [Score][Performance] | |
Beglarian, Eve | Walking Music | 2002 | 8 | 5'-12' | [Score] | |
Bermel, Derek | Orbit Design | 2012 | 3 or more | variable | text | [Details][Performance] |
Beuger, Antoine | dedekind duos | 2003 | 2 | 30' | [Score] | |
Beuger, Antoine | ein ton. eher kurz. sehr leise | 1998 | 2 | 30' | [Score] | |
Beuger, Antoine | touw (voor joop) | 1998 | 1 to 8 | 16' | [Score] | |
Bevan, David | Jazz Suite | 2018 | 3 or more with piano, percussion, and bass instrument | 7' | pitch and rhythm | [Details/Score] |
Bohigian, Joseph | Lullaby for Stepanakert | 2020 | 4 treble, drones, electronics | 5' | pitch and rhythm | [Details/Performance] |
Bohigian, Joseph | Plus-Minus | 2018 | 3 | 8' | pitch and rhythm | [Details/Performance] |
Bonnici, Ivor | Counterpoint and Motion | 2008 | 4 or more instruments (soprano, alto, tenor, bass) | pitch and rhythm | [Details/Score] | |
Bordoli, Samuel | XXVII IV MDCCXLIX | 2010 | 11 or more pitched instruments with 1 percussion and conductor | variable | pitch and rhythm | [Details/Score] |
Bowler, Laura Jayne | Lacquer | 2008 | 3 or more with 2 percussion | pitch and rhythm | [Details/Score] | |
Brandes, Daniel | a dwelling place for you | 2014 | 2 | [Score][Performance] | ||
Brandes, Daniel | each one: enfolded…loved… | 2017 | 2 or more players (alone, together, alone-together) | [Score][Performance] | ||
Brandes, Daniel | folksong | 2015 | 2 playing/singing/whistling musicians and gated-tape | [Score][Performance] | ||
Brandes, Daniel | intimations of melody | 2012 | 2 to 5 melody instruments | 20' | [Score][Performance] | |
Brandes, Daniel | places of refuge…of healing | 2015/2016 | for 1 player alone (or a few players alone-together) | [Score][Performance] | ||
Brandes, Daniel | A tenuous we | 2013 | 7 musicians (more or less) | 25' | [Score][Performance] | |
Brandes, Daniel | two | 2015 | 2 | [Score][Performance] | ||
Brandes, Daniel | with our shadows | 2013 | 2 (one sustaining, one decaying) | [Score][Performance] | ||
Braxton, Anthony | Ghost Trance Music Composition No. 193 | 1996 | 5 or more | pitch and rhythm | [Details/Score][Performance] | |
Braxton, Anthony | Ghost Trance Music Composition No. 228 | 1997 | 5 or more | pitch and rhythm | [Details/Score][Performance] | |
Braxton, Anthony | Ghost Trance Music Composition No. 245 | 2000 | 5 or more | pitch and rhythm | [Details/Score][Performance] | |
Braxton, Anthony | Ghost Trance Music Composition No. 255 | 2000 | 5 or more | pitch and rhythm | [Details/Score][Performance] | |
Braxton, Anthony | Ghost Trance Music Composition No. 358 | 2006 | 5 or more | pitch and rhythm | [Details/Score][Performance] | |
Brindley, Giles | The Four Temperaments; variations on a theme from Schoenberg’s wind quintet | 2004 | 4 parts | [Details] | ||
Broadley, Bob | Rich Pickings | 2005 | 4 or more with percussion | pitch and rhythm | [Details/Score] | |
Buene, Eivind | Textpiece No. 4 | 2011 | 3 or more | 12 | text | [Details/Score] |
Burke, Christine | At a Steady and Consistent Rate | 2017 | 7 or more | [Details][Performance] | ||
Burke, Christine | Fat Sunset | 2018 | 7 sustaining instruments | pitch and rhythm | [Details][Performance] | |
Burke, Christine | for 5+ Performers | 2016 | 5 or more | [Details][Performance] | ||
Burke, Christine | [r]amp | 2019 | [Details][Performance] | |||
Burnell, Paul | All the Same | 2000 | 4 variable with bass line and percussion | [Details] | ||
Burnell, Paul | Dreamer Carol | variable with handbells | 4' | [Details] | ||
Burnell, Paul | Four Minutes - Four Daydreams | 2000 | variable | 4' | pitch and rhythm | [Details/Score][Performance] |
Burnell, Paul | Kiss | 2002 | [Details] | |||
Cage, John | Five | 1988 | 5 | 5' | pitch and rhythm | [Details][Performance] |
Campkin, Alexander | Counting my numberless fingers | 2007 | 4 or more with piano and percussion | 5' | pitch and rhythm | [Score][Performance] |
Caradon, Sulyen | Dorian Dirge | 1998 | 1 or more | [Performance] | ||
Cashian, Philip | Autumn Choruses | 2007 | variable with piano and 2 percussion | 7' | pitch and rhythm | [Score] |
Cashian, Philip | Braggadocio | 2014 | variable | 1' | pitch and rhythm | [Score] |
Cashian, Philip | Mechanik | 2003 | variable | 4' | pitch and rhythm | [Score][Performance] |
Cardew, Cornelius | Octet '61 - for Jasper Johns | 1961 | variable | pitch and rhythm | [Performance] | |
Cardew, Cornelius | Schooltime Compositions | 1968 | variable | pitch and rhythm | [Score][Performance] | |
Cardew, Cornelius | Schooltime Special | 1968 | variable | text | [Score][Performance] | |
Cardew, Cornelius | Sextet - The Tiger's Mind | 1967 | variable | text | [Score] | |
Cardew, Cornelius | Solo with Accompaniment | 1964 | variable | pitch and rhythm | [Score][Performance] | |
Cardew, Cornelius | Volo Solo | 1964 | 1 | [Score][Performance] | ||
Carlsen, James | Suite for Four Unspecified Instruments | 1958 | 4 | 6' | pitch and rhythm | [Performance] |
Causton, Richard | Tunings | 2007 | 4 or more with 2 percussion and fixed media | 5'30" | pitch and rhythm | [Details/Score] |
Chacon, Raven | Adiits’a’ii [Loud Interpreter] | 2005 | variable | [Score] | ||
Chacon, Raven | Echo Contest | 2005 | 2 | text | [Score] | |
Chacon, Raven | Round | 2007 | variable plus turntable | [Score] | ||
Chacon, Raven | Scream Out of Each Window | 2005 | variable | text | [Score] | |
Chacon, Raven | Whisper Trio | 2008 | three | [Info] | ||
Chang, Johnny | Anthem | 2011 | 2 groups of between 4 - 12 singing instrumentalists, percussion | 10' | [Score] | |
Chang, Johnny | Encounters | 2007/2011 | 2 | 10' | [Score] | |
Chang, Johnny | Folk Music Background | 2012 | 2 to 4 | 25' | [Score][Performance] | |
Chang, Johnny | Haikus | 2011 | 2 | variable | [Score][Performance] | |
Chang, Johnny | “I walk out of the terrain with counting steps" (…trete Ich in Zählschritten das Gelände aus …) | 2013 | 3 singing / speaking instrumentalist | variable | [Score][Performance] | |
Chang, Johnny | Opera: Hildegard | 2009 | 2 | variable | [Score] | |
Chang, Johnny | Opera: Monteverdi | 2008 | voice and 3 instruments (any combination of the following decaying, wind and string instruments: flute, clarinet, bass clarinet, viola, viola, violoncello, piano, guitar etc.) | 30' | [Score][Performance] | |
Chang, Johnny | Von Bingen Background | 2013 | voice and 2 instruments (or 2 pairs of like-instruments) | 20' | [Score] | |
Chang, Johnny | Westphalian Fragments (Dortmund Coast) | 2006 | variable | 20'-30' | [Score][Performance] | |
Charke, Derek | Beat | 2012 | variable | 15'-45' | [Score][Performance] | |
Charke, Derek | Don't Be Alarmed | 2011 | variable | 6' | pitch and rhythm | [Score] |
Charke, Derek | Shadow Leaves Shimmer | 2018 | variable | variable | pitch and rhythm | [Score] |
Charke, Derek | Spin | 2012 | variable with keyboard, drum set, and electronic soundtrack | 9' | pitch and rhythm | [Score] |
Chatburn, Katie | Parade Fanfare | 2014 | 1 | [Details] | ||
Chen, Carolyn | The character for ant contains the character for justice | 2006 | variable | [Performance] | ||
Chen, Carolyn | Declaration | 2017 | 5+ | [Score] | ||
Chen, Carolyn | In 1839 it was considered elegant to take a tortoise out walking | 2017 | variable | [Performance] | ||
Cox, Jessie | After-were(l)ds | 2019 | [Info][Performance] | |||
Cox, Jessie | Existence lies In-Between | 2017 | 20' | [Info][Performance] | ||
Cox, Jessie | Quantify | 2017 | [Info][Performance] | |||
Crane, Laurence | More Spa Towns | 2011 | 12 or more | 8' | pitch and rhythm | [Details/Score] |
Davidson, Lyle | A Vermont Notebook for Christian Wolff | [Recording] | ||||
Davies, Tansy | Feather and Groove | 2008/2015 | variable | 5'30" | pitch and rhythm | [Details][Performance] |
Davies, Tansy | The Second Key | 2011/2016 | mezzo soprano or countertenor and 10 or more instrumentalists | 8'30" | pitch and rhythm | [Details][Performance] |
Davis, Daniel Thomas | in praise of sensible shoes | 2006 | 8 or more | [Details] | ||
Dawson, Philip | Orbits | 2010 | 15 or more with fixed media and mobile phones | 7' | [Details] | |
Dennehy, Donnacha | A Fatal Optimist | 2008 | 4 | 4' | [Details][Performance] | |
Dennehy, Donnacha | Flashbulb | 2006 | 3 melody instruments and 1 struck instrument | 1'30" | [Details] | |
Dennehy, Donnacha | Mild, Medium-Lasting, Artificial Happiness | 2004 | 4 similar sounding instruments | 2' | [Details][Performance] | |
Dicke, Ian | Miriam | 2012 | 3 to 8 treble instruments, and 3 to 5 bass instruments | variable | pitch and rhythm | [Score] |
Drexler, David | Tiny Cheesehead Canon on a Ground | 2013 | 2 or more | variable | pitch and rhythm | [Info][Score][Recording] |
Eastman, Julius | Femenine | 1974 | variable | 72' | pitch and rhythm | [Score][Performance] |
Eastman, Julius | Gay Guerrilla | 1979 | variable (similar instruments) | 29' | [Score][Recording] | |
Eastman, Julius | Joy Boy | 1974 | 4 treble instruments | 9' | pitch and rhythm | [Score][Performance] |
Eastman, Julius | Stay On It | 1973 | variable | variable | pitch and rhythm | [Score][Performance] |
Edwards, Ken | Four Simultaneous Movements | 2002 | 4 or more with conductor | pitch and rhythm | [Details] | |
Feldman, David Victor | Hexagonal Music | 1979 | variable | [Score][Performance] | ||
Feldman, David Victor | The Note in Your Pocket (My Travels Through Hexachord Space) | 2 | [Performance] | |||
figgis-vizueta, inti | Form the Fabric | 2020 | variable | 7' | [Details] | |
figgis-vizueta, inti | Music for Chocolate | 2018 | 2 or more, chocolate, and amplification | 8'+ | [Details] | |
figgis-vizueta, inti | new cosmologies | 2020 | variable | 8' | [Details] | |
figgis-vizueta, inti | older blood | 2018 | 3 or more | 6' | [Details] | |
figgis-vizueta, inti | placing ceremony | 2018 | 4 | 5' | [Details] | |
Finnissy, Michael | Back on Earth | 2004-2005 | variable | [Details] | ||
Finnissy, Michael | Déjà fait | 2006 | variable | [Details] | ||
Finnissy, Michael | Ettelijke bange eenden | 2001 | variable | 11' | [Details] | |
Finnissy, Michael | False notions of progress | 1997 | 3 | variable | [Details][Recording] | |
Finnissy, Michael | Forest | 1974 | variable | variable | [Details] | |
Finnissy, Michael | Hoe weinig begrijpen wij | 2001 | variable | 1' | [Details] | |
Finnissy, Michael | Late Hey with Three Bees | 2014 | 2 solo treble instruments with variable | 1' | [Details] | |
Finnissy, Michael | Molly House | 2004 | variable (with soloists, keyboards and electric household-gadgets) | [Score][Recording] | ||
Finnissy, Michael | Moon's goin' down | 1980 | 1 or voice | 4' | [Details] | |
Finnissy, Michael | n | 1969-1972 | 1-4 | 8' | [Score] | |
Finnissy, Michael | Not envious of rabbits | 2014 | 1 or more | 4'30" | [Details][Score] | |
Finnissy, Michael | Notre Dame Polyphony | 2001-2002 | 6 or 9 | 8' | [Details] | |
Finnissy, Michael | Plain Harmony | 1993 | variable | 10' | [Score][Recording] | |
Finnissy, Michael | Post-Christian Survival Kit | 2003-2005 | variable | 10' | [Score] | |
Finnissy, Michael | Recent Britain | 1998 | up to 4 musicians with (optional) assistant and pre-recorded tape(s) | 25' | [Score] | |
Finnissy, Michael | Uncharacteristic Marches | 1999-2009 | variable | 10' | [Details] | |
Finnissy, Michael | Vigany’s Cabinet | 2004-2005 | variable | 15' | [Score][Recording] | |
Finnissy, Michael | Von Gloeden Postcards | 2003 | piano solo plus variable | [Details] | ||
Finnissy, Michael | Yso | 2007 | variable | [Details] | ||
Floyd, Jamie | Ode to Woe | 2020 | 5 or more | pitch and rhythm | [Details/Score] | |
Frey, Jürg | 60 pieces of sound | 2009 | at least 3 instruments | 25' | [Score][Performance] | |
Frey, Jürg | Ombres exactes sans dureté | 2009 | 3 | 10' | [Score][Performance] | |
Frey, Jürg | Petit fragment de paysage | 2009 | 2 | 7'30" | [Score][Performance] | |
Frey, Jürg | Tendre enchaînement de valeurs | 2009 | 6 | 9' | [Score][Performance] | |
Fulton, Ruby | Meditation on a Scale | 2018 | 4 or more | variable | text, pitch and rhythm | [Score][Performance] |
Galvani, Marco Cesar | Constellations | 2016 | 4 or more | pitch and rhythm | [Details/Score] | |
Gilbert, Anthony | Even in Flames the Thames can’t hold a candle to the wandle | 2007 | 6' | [Details] | ||
Glass, Philip | Music in Fifths | 1969 | variable | 21' | pitch and rhythm | [Score][Performance] |
Goode, Daniel | Caller's Music | variable | [Score] | |||
Goode, Daniel | Chord Progression | variable | text | [Score] | ||
Goode, Daniel | Hear the Sound of Random Numbers | 1978 | variable | text | [Score][Performance] | |
Goode, Daniel | i↔ou | 1980 | variable | variable | text | [Score] |
Goode, Daniel | Leaverage | 1999 | variable | variable | text | [Score] |
Goode, Daniel | Mantra Swing | 1978 | variable | variable | pitch and rhythm | [Score] |
Goode, Daniel | Nod Drama | 1993 | variable | variable | pitch and rhythm | [Score][Performance] |
Goode, Daniel | The Red and White Cows | 1979 | variable | variable | text | [Score][Performance] |
Goode, Daniel | Shaking Music | variable | variable | text | [Score] | |
Goode, Daniel | Standing in the Dark | 2 or more | variable | text | [Score] | |
Goode, Daniel | Three Talking Sculptures for Election Day | 1992 | variable with tape | variable | text | [Score] |
Goode, Daniel | Walking Piece | 1976 | variable | variable | text | [Score] |
Goode, Daniel | Wind Symphony | 1980 | variable | variable | text | [Score] |
Goves, Larry | High-Functioning Middle Class Alcoholism | 2019 | variable | variable | pitch and rhythm | [Details/Score] |
Grange, Philip | Carillon Rituals | 2015 | 12 plus piano and two percussion | 6 | pitch and rhythm | [Recording] |
Green, Anthony | Hover | 2014 | variable | variable | [Details][Recording] | |
Green, Anthony | Memo Pieces | 2014 | variable | variable | [Details][Recording] | |
Green, Anthony | A Series of Harmonies | 2018 | variable | variable | pitch and rhythm | [Details][Recording] |
Hall, Andrew | Duress | 2010 | 5 or more | [Details] | ||
Halliwell, Paige | Flux | 2020 | 4 or more | 12' | pitch and rhythm | [Details/Score] |
Hannesson, Mark | a moment is a window | 2017 | variable | 10'-30' | [Score] | |
Hannesson, Mark | small garden | 2015 | variable | variable | [Score] | |
Hannesson, Mark | undeclared | 2016 | variable | 15' | [Score] | |
Harding, Hollie | Rechaer: ‘The Last Fruits’ | 2007 | 8 or more with percussion | 6' | [Details] | |
Harding, Hollie | Rechaer: ‘The Last Fruits’ | 2007 | 8 or more with percussion | 6' | [Details] | |
Harding, Hollie | 230 Strings | 2017 | 8' | |||
Harding, Hollie | Spatial Study on Rotation | 2017 | 19' | |||
Harrison, Bryn | Five Miniatures in Three Parts | 2008 | 3 | 5' | pitch and rhythm | [Details][Performance] |
Harrison, Bryn | Plane Image | 2007 | variable | 8'10" | pitch and rhythm | [Details/Score] |
Harlow, Sage J (aka Sage Pbbbt) | The 120 Days of Sodom/Must We Burn Sade? | 2017 | narrator and variable | variable | text | [Score] |
Harlow, Sage J (aka Sage Pbbbt) | as she walks through the fields | 2017 | 5 speaking voices | variable | text | [Score] |
Harlow, Sage J (aka Sage Pbbbt) | Binary Count | 2017 | an even number of speaking voices | variable | text | [Score][Notes] |
Harlow, Sage J (aka Sage Pbbbt) | Chakra Song | 2016 | variable | variable | text | [Score][Notes] |
Harlow, Sage J (aka Sage Pbbbt) | Composition for two performers (any instruments) playing never-before seen instruction on index cards | 2017 | 2 | at least 30' | text | [Score] |
Harlow, Sage J (aka Sage Pbbbt) | John 4:33 | 2017 | variable | variable | text | [Score] |
Harlow, Sage J (aka Sage Pbbbt) | Meme | 2017 | 1 | variable | text | [Score] |
Harlow, Sage J (aka Sage Pbbbt) | Silence Backstage | 2017 | 1 or more | variable | text | [Score] |
Harlow, Sage J (aka Sage Pbbbt) | silences | 2018 | 2 or more | variable | text | [Score] |
Harlow, Sage J (aka Sage Pbbbt) | Thirteen pages of improvisation | 2017 | 2 or more | at least 15' | text | [Score][Notes] |
Harlow, Sage J (aka Sage Pbbbt) | Variations without a theme (drones ongs) | 2016 | variable | variable | text | [Score][Notes] |
Harrex, Patrick | Objects in Space | 2003 | 4 to 20 | [Details] | ||
Harrex, Patrick | Rhythmical Study – abstract construction | 2007 | 4 or more | [Details] | ||
Harrop, Todd | Normally Natural | 1999 | 2 to 5 | 6' | ||
Hawkins, John | Divisibility | 2016 | 4 or more with 1 percussion | pitch and rhythm | [Details/Score] | |
Hayes, Liam | Water Wheel | 2020 | variable | 5' | pitch and rhythm (graphically) | [Details/Score] |
Hayes, Morgan | Broken Ground | 2010 | 15 or more with percussion | pitch and rhythm | [Details][Score] | |
Hellewell, Simon | Dispersal I | 2020 | variable over video call | variable | ptich and rhythm | |
Hennies, Sarah | Everything Else (for four performers or more) | 4 or more | variable | [Score] | ||
Hennies, Sarah | Growing Block | 2019 | 4 to 10 | variable | text | [Details/Score] |
Hopkins-Burke, Oliver | Improvisations | 2020 | variable | variable | text | [Recording] |
Hopkins-Burke, Oliver | In Extremis | 2020 | variable | variable | text | [Recording] |
Hopkins-Burke, Oliver | Melody | 2020 | 1 | variable | pitch and rhythm | [score] |
Hopkins-Burke, Oliver | Miniature No. 4 | 2021 | 2 | 2' | text | [score] |
Hopkins-Burke, Oliver | Miniature No. 5 | 2021 | 3 | 2'30" | text | [score] |
Hopkins-Burke, Oliver | Number Music | 2020 | 10 | 55' | text | [score] |
Hopkins-Burke, Oliver | Octet | 2020 | 8 | 10' | text | [score] |
Hopkins-Burke, Oliver | Septet | 2020 | 7 | variable | text | [score] |
Hopkins-Burke, Oliver | Sequence | 2020 | 4 | variable | text | [score] |
Hopkins-Burke, Oliver | Sextet | 2020 | 6 | 36' | text | [score] |
Hopkins-Burke, Oliver | Singular Events | 2020 | variable | 55' | text | [score] |
Hopkins-Burke, Oliver | Six Notes: Ascending/Descending | 2021 | 6 | variable | pitch and rhythm | [score] |
Hopkins-Burke, Oliver | Trio | 2020 | 3 | 9' | text | [score] |
Hopkins-Burke, Oliver | Vienna | 2020 | 1 (sustaining) with organ | 16' | text | [score] |
Hopkins-Burke, Oliver | Whenever You're Ready | 2020 | variable | variable | text | [score] |
Hjorth, Daniel | Beat the Beat | |||||
Hjorth, Daniel | Chasing Shadows | variable with electronics | ||||
Hjorth, Daniel | Free Cycled Modes | variable with electronics | ||||
Hjorth, Daniel | Free Phrases | |||||
Hjorth, Daniel | Hippolais | |||||
Hjorth, Daniel | Life Goes On | 1 with piano | ||||
Hjorth, Daniel | Light the Sky Like a Dawning Fire | |||||
Hjorth, Daniel | Mot Himlen | |||||
Hjorth, Daniel | Natus In Speculo | 1 with piano | ||||
Horne, David | Sighs and Declamations | 2007 | variable | 6' | [Details] | |
Houben, Eva-Maria | à l'unisson VIII (dankgesang I) | 2014 | variable | 20' | [Score] | |
Houben, Eva-Maria | à l'unisson XI (dankgesang IV) | 2015 | variable | 6' | [Score] | |
Houben, Eva-Maria | à l'unisson XII (dankgesang V) | 2015 | variable | 10' | [Score] | |
Houben, Eva-Maria | à l'unisson XIII. revival of an old tune | 2015 | variable (sustained sounds) | variable | [Score] | |
Houben, Eva-Maria | à l'unisson XIV (dankgesang VI) | 2015 | variable | variable | [Score] | |
Houben, Eva-Maria | à l'unisson XV | 2020 | 2 | 12' | [Score] | |
Houben, Eva-Maria | avalon orchard | 2013 | 3 | 16' | [Score] | |
Houben, Eva-Maria | avalon orchard | 2013 | 3 | 16' | [Score] | |
Houben, Eva-Maria | deoksugung III | 2017 | 2 | 15' | [Score] | |
Houben, Eva-Maria | duo I | 2007 | 2 | 15' | [Score] | |
Houben, Eva-Maria | caminho. ein weg - allein | 2012 | variable | 10' | [Score] | |
Houben, Eva-Maria | caprice roumain | 2013 | variable | 13' | [Score] | |
Houben, Eva-Maria | chorus | 2010 | 4 | 11' | [Score] | |
Houben, Eva-Maria | come da lontano | 2013 | 6 | 24' | [Score] | |
Houben, Eva-Maria | deoksugung I / II | 2014 | variable | variable | [Score] | |
Houben, Eva-Maria | durations | 2014 | 2 | 15' | [Score] | |
Houben, Eva-Maria | echo fantasy I | 2018 | variable | 18' | [Score] | |
Houben, Eva-Maria | echo fantasy IV | 2018 | variable | 12' | [Score] | |
Houben, Eva-Maria | echo fantasy V | 2018 | variable | 10' | [Score] | |
Houben, Eva-Maria | ein-tönig | 2003 | 2-10 | 20'-100' | [Score] | |
Houben, Eva-Maria | erwartung 3 | 2018 | variable | variable | [Score] | |
Houben, Eva-Maria | exercises I | 2017 | 3 | variable | [Score] | |
Houben, Eva-Maria | exercises II | 2017 | 4 | variable | [Score] | |
Houben, Eva-Maria | fast alle | 2004 | 12 | 24' | [Score] | |
Houben, Eva-Maria | gently swinging harmonies | 2015 | 8 (sustained sounds) | 20' | [Score] | |
Houben, Eva-Maria | gesang V | 2016 | 3 | 20' | [Score] | |
Houben, Eva-Maria | gesang VII | 2016 | 4 | 20' | [Score] | |
Houben, Eva-Maria | gesang VIII | 2016 | 2 | 25' | [Score] | |
Houben, Eva-Maria | gesang X | 2016 | up to 16 | 16' | [Score] | |
Houben, Eva-Maria | goldberg | 2020 | variable | 15' | [Score] | |
Houben, Eva-Maria | im nu | 2003 | 10 minimum | 20" (from website... typo?) | [Score] | |
Houben, Eva-Maria | in nature's realm | 2020 | variable | 25' | [Score] | |
Houben, Eva-Maria | im vorübergehen bewegt | 2008 | 7 | 25' | [Score] | |
Houben, Eva-Maria | intervals - distances | 2016 | 2 | 20' | [Score] | |
Houben, Eva-Maria | it's time to breathe 5 - still alive | 2020 | 2 instruments sustaining sounds | variable | [Score] | |
Houben, Eva-Maria | I only went out for a walk | 2019 | variable | 20' | [Score] | |
Houben, Eva-Maria | janela. ein fenster - für zwei | 2012 | 2 | 8' | [Score] | |
Houben, Eva-Maria | einfach immer da | 2018 | 2 | 20' | [Score] | |
Houben, Eva-Maria | landscape 1 co-composer: bileam kümper | 2012 | 2 | 8' | [Score] | |
Houben, Eva-Maria | landscape 2 co-composer: bileam kümper | 2012 | 2 | 8' | [Score] | |
Houben, Eva-Maria | landscape 3 co-composer: bileam kümper | 2012 | 1 | 4' | [Score] | |
Houben, Eva-Maria | landscape 4 co-composer: bileam kümper | 2012 | 1 | 6' | [Score] | |
Houben, Eva-Maria | landscape 5 co-composer: bileam kümper | 2013 | 1 | 10'30" | [Score] | |
Houben, Eva-Maria | landscape 6 co-composer: bileam kümper | 2013 | 2 | 13' | [Score] | |
Houben, Eva-Maria | nah - fern | 2013 | 2 | 12' | [Score] | |
Houben, Eva-Maria | nur ein klang (3) | 2009 | 3 (same instrument) | 15' | [Score] | |
Houben, Eva-Maria | ohne im geringsten hervorzutreten | 2018 | variable | 15' | [Score] | |
Houben, Eva-Maria | observing objects | 2017 | variable | 25' | [Score] | |
Houben, Eva-Maria | places to listen (1): ravens | 2014 | up to 7 players and tape | 20' | [Score] | |
Houben, Eva-Maria | places to listen (2): spring | 2014 | variable and tape | 7' | [Score] | |
Houben, Eva-Maria | the one - the other | 2017 | 2 | 20' | [Score] | |
Houben, Eva-Maria | rufe | 2010 | 2 | 20' | [Score] | |
Houben, Eva-Maria | solo(ist) | 2015 | variable | 12' | [Score] | |
Houben, Eva-Maria | sweet and silent harmonies | 2014 | 6 (sustained sounds) | 24' | [Score] | |
Houben, Eva-Maria | symphonia | 2019 | variable | 20' | [Score] | |
Houben, Eva-Maria | the table of silence | 2017 | variable | 45' | [Score] | |
Houben, Eva-Maria | throngs | 2009 | 2 | 15' | [Score] | |
Houben, Eva-Maria | to be two | 2009 | 2 | 12' | [Score] | |
Houben, Eva-Maria | übergänge | 2008 | 7 | 10' | [Score] | |
Houben, Eva-Maria | unter anderen | 2017 | variable | 15' | [Score] | |
Houben, Eva-Maria | verschwindungen IV | 2005 | 2 | 45' | [Score] | |
Houben, Eva-Maria | von da nach da | 2005 | 3 | 35' | [Score] | |
Houben, Eva-Maria | with one voice (wie aus einem munde) | 2013 | variable | 25' | [Score] | |
Houben, Eva-Maria | zwei - für sich | 2015 | variable | variable | [Score] | |
Howard, Robert | Alla Campana | 2001 | 3 | pitch and rhythm | [Info][Performance] | |
Howard, Robert | Alla Campana II | 2001 | 5 | pitch and rhythm | [Info][Performance] | |
Howard, Robert | A Babe is Born | 2002 | 4 or more instruments and voices/organ | pitch and rhythm | [Info][Performance] | |
Howard, Robert | Carousel | 2006 | 6 or more with percussion | pitch and rhythm | [Details/Score] | |
Howard, Robert | Critical Mass | 2001 | 6 or more | 2' | pitch and rhythm | [Details/Score] |
Howard, Robert | Fantasy on Anna's Theme | 2006 | 5 or more | pitch and rhythm | [Details/Score][Performance] | |
Howard, Robert | Ghost | 2002 | 4 or more | pitch and rhythm | [Details/Score][Performance] | |
Howard, Robert | In Memory III | 2003 | 10 | pitch and rhythm | [Details/Score][Performance] | |
Howard, Robert | Journey | 2010 | 5 or more | pitch and rhythm | [Info][Performance] | |
Howard, Robert | Music to Hear | 2003 | 4 or more instruments and voices | pitch and rhythm | [Info][Performance] | |
Howard, Robert | Promenade II | 2001 | variable | pitch and rhythm | [Details] | |
Howard, Robert | Promenade III | 2000 | 15 | pitch and rhythm | [Details][Performance] | |
Howard, Robert | Promenade IV | 2000 | 4 | pitch and rhythm | [Info][Performance] | |
Howard, Robert | Three-way Piece | 2005 | 4 or more with percussion | 3' | pitch and rhythm | [Details/Score][Performance] |
Hughes, Bernard | Mechaniks Beach | 2002 | 4 or more | 6' | [Details] | |
Hunt, Jordan | The centre cannot hold... | 2005 | 4 treble soloists and 4 or more | 7' | pitch and rhythm | [Details/Score] |
Johnson, Tom | Counting Duets | 1982 | 2 | 8' | pitch and rhythm | [Score][Performance] |
Johnson, Tom | Eggs and Baskets | 1987 | narrator and two instruments | 12' | pitch and rhythm | [Score][Performance] |
Johnson, Tom | Maximum Efficiency | 1991 | 3 instruments in three octaves | variable | pitch and rhythm | [Score][Performance] |
Johnson, Tom | Narayana’s Cows | 1989 | 3 or more | 16' | pitch and rhythm | [Score][Performance] |
Johnson, Tom | Networks | 2007 | variable | variable | pitch and rhythm | [Score][Performance] |
Johnson, Tom | Squares: didactic music for a solo instrument | 2008 | 1 | 10' | pitch and rhythm | [Score][Performance] |
Jolliffe, Edmund | Eye, Nose and Cheek | 2002 | 4 or more | 4' | pitch and rhythm | [Details/Score] |
Jones, Howard | Homage to Miro | 2010 | 4 or more with piano and 2 percussion | pitch and rhythm | [Details/Score] | |
Jones, Howard | The Illusion of Progress | 2006 | 4 or more with 3 percussion | 8' | pitch and rhythm | [Details/Score][Performance] |
Kaiser, Marcus | an einem ort - an einem anderen ort | 2000 | 1 instrument and electronics (on-going recordings) | 55' | [Score] | |
Kaiser, Marcus | for4 (s/u 2.4.4) | 2014 | variable | variable | [Score] | |
Kaiser, Marcus | gegenwendig | 2000 | 2 instruments/2 sound engineers | variable | [Score] | |
Kaiser, Marcus | irgendwo | 2000 | 1 and electronics | variable | [Score] | |
Kaiser, Marcus | langeweilendes / garten für instrumente | 1998/1999 | more than 5 | 30' | [Score] | |
Kaiser, Marcus | liste (s/u 2.4.3) | 2013 | variable | variable | [Score] | |
Kaiser, Marcus | liste (s/u 2.4.3.1) | 2014 | variable | variable | [Score] | |
Kaiser, Marcus | nischen in mittlerer lage (s/u 2.1.1.) | 2011 | variable | 60'xX | [Score] | |
Kaiser, Marcus | postcard | 2002 | variable | 9' | [Score] | |
Kaiser, Marcus | umgebung (s/u 1.) | 2005/2006 | variable | 60'xX | [Score] | |
Kaiser, Marcus | umgebung verdichtet (s/u 2.) | 2011 | variable | 60'xX | [Score] | |
Kavuma, Blasio | Pathways | 2019 | 16 or more with conductor, keyboard, and percussion | variable | pitch and rhythm | [Details/Score] |
Kittos, Haris | Recreation | 2002 | 8 or more (treble and bass) | pitch and rhythm | [Details/Score] | |
Klaverdal, Stefan | Beat Music | 2011 | 5 or more | text | [Score] | |
Klaverdal, Stefan | Cadenza Music | 2012 | 3 or more | text | [Score] | |
Klaverdal, Stefan | Consensus Music | 2010 | 3 or more | 5' or longer | pitch and rhythm | [Details][Score][Performance] |
Klaverdal, Stefan | Delay Music | 2011 | 2 or more | text | [Score] | |
Klaverdal, Stefan | Drone Music | 2011 | 3 or more | 5' or longer | pitch and rhythm | [Details][Score][Performance] |
Klaverdal, Stefan | Tuning Music | 2004 | 3 or more | 5' or longer | pitch and rhythm | [Details][Score][Performance] |
Kozlova, Tatjana | 30 Scales and Postlude | 2011 | variable | pitch and rhythm | [Details/Score] | |
Lang, David | If | 2020 | variable | variable | pitch and rhythm | unpublished |
Ledoux, Claude | Away from the edges | 2014 | variable | variable | [Score] | |
Levene, Elaine | Fanfare | 2014 | 4 or more | 1'00 | pitch and rhythm | [Details/Score] |
Lewis, George | Arcades | 2018 | 4 or more | 8' | pitch and rhythm | [Details/Score] |
Lewis, George | Artificial Life | 2007 | variable | [Score][Performance] | ||
Lewis, George | Shadowgraph, 5 | 1977 | variable | variable | pitch and rhythm | |
Lister, Rodney | A Journal of the Plague Year | 2020 | variable | 14' | pitch and rhythm | |
Lister, Rodney | Sestina | 6 or more | 4' | pitch and rhythm | ||
Lister, Rodney | Till Elevators Drop Us From Our Days | 4 plus keyboard or more | pitch and rhythm | |||
Lister, Rodney | Virelai | 4 or more | 3' | pitch and rhythm | ||
Luna, David | Quoth the Raven | 2016 | 3 or more | pitch and rhythm | [Details/Score] | |
MacDonald, Payton | Modules | 2019 | variable | variable | [Performance] | |
Mainwood, Val | Making a Mark | 2002 | 6' | [Details] | ||
McCauley, Ed | Vicious Circle | 2004 | 4 parts | 7' | [Details] | |
McGowan, Ned | Earthly Chants | 2016 | 6 similar instruments or solo and tape | 24' | [Details][Performance] | |
McGowan, Ned | For Bob | 2015 | 10? | 12' | [Details/Score][Performance] | |
McGowan, Ned | Stupid Neck Chain | 2015 | 6' | pitch and rhythm | [Details][Performance] | |
Meites, Noah | The Lake in the Ocean | 2013 | 4 or more | pitch and rhythm | [Details/Score] | |
Minchew, Everette | Boreas | 2018 | large ensemble | |||
Minchew, Everette | Boreas Redux | 2018 | variable | |||
Minchew, Everette | Four Notes | 2015 | large ensemble | pitch and rhythm | ||
Minchew, Everette | Landscape at Twilight | 2017 | solo trumpet and variable | [Performance] | ||
Minchew, Everette | Open Piece No. 1 | 2012 | variable | [Performance] | ||
Minchew, Everette | Open Piece No. 2 | 2013 | variable | |||
Minchew, Everette | Open Piece No. 4 “Birthday Music for Carolyn O’Brien” | 2014 | solo viola (or violin or cello) and variable | [Performance] | ||
Minchew, Everette | Open Piece No. 5 | 2014 | organ and/or variable | [Performance] | ||
Minchew, Everette | Open Piece No. 6 | 2015 | solo bassoon (or bass clarinet or baritone saxophone or tenor saxophone) and variable | [Performance] | ||
Minchew, Everette | Open Piece No. 7 | 2017 | variable | |||
Minchew, Everette | Postcard From Voyager | 2016 | variable with piano | |||
Minchew, Everette | Reems Creek Idyll | 2016 | 2 treble clef instruments | [Performance] | ||
Montague, Stephen | Chorale for the Cauldrons of Hell | 10' | [Score] | |||
Montague, Stephen | Dead Cat Bounce | 2014 | 1' | [Details] | ||
Montague, Stephen | Uncaged - January 2004 | 1' | [Score] | |||
Mossenmark, Staffan | Post-Music | 1993 | ||||
Munn, Zae | Achieving Sprezzatura | 2017 | variable | 7' | pitch and rhythm | [Info][Score][Performance] |
Munn, Zae | Always a New Now | 2012 | 3 (high, medium, low) | 6:45 | pitch and rhythm | [Info][Score] |
Munn, Zae | Nature's Chopsticks | 2011 | variable with piano and percussion | 4:45 | pitch and rhythm | [Info][Score] |
Myburgh, Josten | Sculthorpe studies | 2019 | variable pitched instruments and field recordings | variable | pitch and rhythm | [Score][Performance] |
Myburgh, Josten | The silver morning shifts their birds from tree to tree | 2017 | 3 or 4 with generative electronics | 10' | text | [Score][Performance] |
Newland, Paul | husk | 2009 | variable | 10' | [Details] | |
Newman, Chris | Symphony No. 6 | 2008 | 4? or more with 3 percussion | 10'20" | pitch and rhythm | [Details/Score] |
Newman, Chris | Symphony No. 7 Two | 2010 | 3 or more | [Details] | ||
Nobles, Jordan | Aether | 2012 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Aeternum Vale | 2017 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Circle of Fifths | 2016 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Foreign Lands | 2011 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Grace | 2009 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | The Library of Babel | 2019 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Möbius | 2015 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Negative Space | 2017 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Nocturne | 2013 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | On a mote of dust suspended in a sunbeam | 2012 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Ostinati | 2009 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Parallel II | 1997 | variable | 8 | pitch and rhythm | [Score] |
Nobles, Jordan | Pulses | 1999 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Quaver | 1997 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Quickening | 2012 | variable | 3'-5' | pitch and rhythm | [Score] |
Nobles, Jordan | Rogue Waves | 2012 | variable | 5' | pitch and rhythm | [Score] |
Nobles, Jordan | Rosetta Stone | 2016 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Simulacrum | 2010 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Spin | 2012 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Still Life | 2006 rev. 2012 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Stasis | 2007 | variable | variable | pitch and rhythm | [Score] |
Nobles, Jordan | Undercurrents | 2008 | variable | variable | pitch and rhythm | [Score] |
Nyman, Michael | In C Interlude | 2005 | variable | variable | pitch and rhythm | [Details/Score][Performance] |
Oates, Janet | C Level | 2017 | 3 | 5' | pitch and rhythm | [Details/Score][Performance] |
Oates, Janet (editor) | Closet Music (book) | 2013 | variable | mixture (see details) | [Details][Score] | |
Oates, Janet (editor) | Closet Music (travel pack) | 2013 | variable | mixture (see details) | [Details][Score] | |
O'Gorman, Aisling | Call into Stillness, Fall into Peace | 2010 | 6 part: 2 high, 2 medium, 2 low with optional voices | [Details] | ||
Oliveros, Pauline | Anthology of Text Scores | 2013 | variable | variable | text | [Score] |
Oliveros, Pauline | Bonn Feier | 1977 | variable | variable | [Details] | |
Oliveros, Pauline | Dissolving Your Earplugs | 2006 | variable | variable | text | [Score] |
Oliveros, Pauline | Inner/Outer Matrix | 2007 | variable | variable | text | [Score] |
Oliveros, Pauline | One Hundred Meeting Places | 2006 | variable | variable | text | [Performance] |
Oliveros, Pauline | Sonic Meditations | 1974 | variable | variable | text | [Score] |
Oliveros, Pauline | The Well and The Gentle | 1983 | variable | variable | text with some pitch and rhythm | [Score][Performance] |
Pajot, Julia | COMA | 2010 | 3 | [Details] | ||
Panufnik, Roxanna | Com(a)Chord | 2014 | 4 or more | 1'30" | [Details][Performance] | |
Parkinson, Tim | second song for many | 2019 | variable (ideally 5 to 20) with keyboard and fixed media | 7'30" | pitch and rhythm | [Details/Score] |
Parsons, Michael | Independent Pulses | variable | [Info] | |||
Parsons, Michael | Rhythmic Canons | 1998 | 3 to 10 | [Details][Score][Performance Excerpt] | ||
Phillips, Sheena | referendum | 2016 | 4 or more (high, high, medium, low) with 2 percussion | 6' | pitch and rhythm | [Details/Score] |
Pinnock, Naomi | Another Night Song | 2013 | 4 or more instruments (soprano, alto, tenor, bass) with 2 percussion | 6' | pitch and rhythm | [Details/Score][Performance] |
Pinnock, Naomi | Four Humours | 2003-2004 | variable with keyboard and percussion | 7' or more | pitch and rhythm | [Details/Score][Performance] |
Piper, Charlie | Coamer | 2009 | 2 or more with percussion | pitch and rhythm | [Details/Score] | |
Pisaro, Michael | 4 messages | 1999 | 2 | 4x55' | [Score] | |
Pisaro, Michael | ab da | 1999 | voice, 2 or 4 instruments | 20' | [Score] | |
Pisaro, Michael | a little thing | 1998 | 1 | 10' | [Score] | |
Pisaro, Michael | Ample | 2004 | 2 | 12' | [Score] | |
Pisaro, Michael | appearance Nr. 1 | 1998 | 1 with sustained tones | 55' | [Score] | |
Pisaro, Michael | appearance Nr. 2 | 1998 | 2 | 55' | [Score] | |
Pisaro, Michael | ascending series 1 | 2007 | CD, variable | 10 x 30' | [Score] | |
Pisaro, Michael | ascending series 3 | 2008 | variable | 300'-480' | [Score] | |
Pisaro, Michael | ascending series 4 (free ascent) | 2008 | variable | 30' | [Score] | |
Pisaro, Michael | ascending series 5 | 2009 | 1 to 100 | 44' | [Score] | |
Pisaro, Michael | the best thing | 2005 | 2 | 19' | [Score] | |
Pisaro, Michael | The Collection | 1999/2000 | variable | variable | [Score] | |
Pisaro, Michael | Concentric Rings in Magnetic Levitation | 2011 | 3 | 58'40" | [Score] | |
Pisaro, Michael | Cycling Time | 1999 | 1 | variable | [Score] | |
Pisaro, Michael | Dérive (2) | 1999 | 1 | 17' | [Score] | |
Pisaro, Michael | Diminishing Time | 1999/2000 | 1 | variable | [Score] | |
Pisaro, Michael | D minor and Bb major (co-written with Taku Sugimoto) | 2012 | 16 | 50' | [Score] | |
Pisaro, Michael | A discrete reconciliation between balance and flux | 2011 | 3 | 20'20" | [Score] | |
Pisaro, Michael | encounter Nr. 1 | 1998 | 4 | 40' | [Score] | |
Pisaro, Michael | encounter Nr. 3 | 1998 | 4 | 40' | [Score] | |
Pisaro, Michael | every night | 2005 | 2 | 8' | [Score] | |
Pisaro, Michael | fields have ears (4) | 2009 | 4 | 27'40" | [Score] | |
Pisaro, Michael | fields have ears (7) | 2010 | 5, electronics | 25' | [Score] | |
Pisaro, Michael | fields have ears (8) | 2010 | 80 | 10' | [Score] | |
Pisaro, Michael | flux | 2005 | 2 | 3' | [Score] | |
Pisaro, Michael | the heart of city | 2005 | 2 | 11' | [Score] | |
Pisaro, Michael | hinwandeln (zwischen himmel und erd) | 2005 | 3 | [Score] | ||
Pisaro, Michael | ils | 2005 | 4 | long | [Score] | |
Pisaro, Michael | irais, serais, dirais | 2005 | 2 | 5' | [Score] | |
Pisaro, Michael | is | 2005 | 2 | 27' | [Score] | |
Pisaro, Michael | A little dance | 2000 | 3 | 5' | [Score] | |
Pisaro, Michael | My Mind is Drifting | 2005 | 3-6 | 45'-60' | [Score] | |
Pisaro, Michael | nachtstimmung | 2007 | 12 | 90' | [Score] | |
Pisaro, Michael | no longer wild | 2005 | 6 | 6' | [Score] | |
Pisaro, Michael | Now | 2005 | 2 | 25' | [Score] | |
Pisaro, Michael | only | 2005/2006 | 1 | very long | [Score] | |
Pisaro, Michael | Pas | 2005 | 2 | 5' | [Score] | |
Pisaro, Michael | Perception 1 | 2000 | 1 instrument with sustained tones | variable | [Score] | |
Pisaro, Michael | Perception 2 | 2000 | 1 instrument with sustained tones | variable | [Score] | |
Pisaro, Michael | Perception 3 | 2000 | 1 | variable | ||
Pisaro, Michael | Perception 4 | 2000 | 2 | variable | [Score] | |
Pisaro, Michael | the rain of alphabets | 2005 | 14 | 133' | [Score] | |
Pisaro, Michael | rêve | 2005 | 2 | 4' | [Score] | |
Pisaro, Michael | ricefall | 2004 | 16 | 18' | [Score] | |
Pisaro, Michael | ricefall (2) | 2007 | 16 | 72' | [Score] | |
Pisaro, Michael | Rolling | 2000 | 1 | 55' | [Score] | |
Pisaro, Michael | the shipwreck of the singular | 2005 | 5 | 5' | [Score] | |
Pisaro, Michael | a single charm is doubtful | 2005 | 4 | 13' | [Score] | |
Pisaro, Michael | So little to do | 2005 | at least 6 | 40' | [Score] | |
Pisaro, Michael | Sometimes | 2004 | 4 | 15'-69' | [Score] | |
Pisaro, Michael | sonnenfern | 2005 | 3 | 2' | [Score] | |
Pisaro, Michael | Straightening Time/Curving Time | 1999/2000 | 1 | variable | [Score] | |
Pisaro, Michael | they all fit | 2005 | 8 | n x 2' | [Score] | |
Pisaro, Michael | tombstones | 2010 | voice, instruments (variable) | 150' | [Score] | |
Pisaro, Michael | tomorrow | 2005 | 5 | n x 1' | [Score] | |
Pisaro, Michael | topographies (10 trios) | 2006 | 3 | 300' | [Score] | |
Pisaro, Michael | transparent city (2) | 2009 | variable | [Score] | ||
Pisaro, Michael | two days later | 2005/2006 | 4 | 10' | [Score] | |
Pisaro, Michael | two persons | 1998 | 2 | 12' | [Score] | |
Pisaro, Michael | two stones | 2008 | 1 to 4 | 40' | [Score] | |
Pisaro, Michael | unlesbarkeit | 2005 | 3 | 2' | [Score] | |
Pisaro, Michael | la voix qui dit | 2005 | 2 | 5' | [Score] | |
Pisaro, Michael | Was was and is | 2000 | 1 | variable | [Score] | |
Pisaro, Michael | a wave and waves | 2010 | 5 | 74' | [Score] | |
Pisaro, Michael | where there is | 2005 | 5 | n x 1' | [Score] | |
Pisaro, Michael | wie jener am pindar | 2005 | 3 | 3' | [Score] | |
Pisaro, Michael | Zeit werden | 2004 | 4 | 32' | [Score] | |
Pisaro, Michael | zwei finger im abgrund | 2005 | 2 | 2' | [Score] | |
Polansky, Larry | (v'y'aal) (and he ascended) | 2014 | 9 pitched instruments | [Score][Details] | ||
Polansky, Larry | freeHorn | 2006 | variable with electronics | variable | [Details/Performance] | |
Porfiriadis, Alexis | Air for movement | 2011 | 2 or more | 5' or more | text | [Info][Score] |
Porfiriadis, Alexis | Between the We and the I | 2018 | 3 or more | 7' or more | text | [Info][Score] |
Porfiriadis, Alexis | Blossom Trio | 2017 | 3 | 8' or more | text with elements of graphic | [Info][Score] |
Porfiriadis, Alexis | The C Duo | 2014 | 2 (in an intimate relationship) | 6' or more | text | [Info][Score] |
Porfiriadis, Alexis | Collective Thoughts | 2011/2014 | 3 or more | 5' or more | text with elements of graphic | [Info][Score] |
Porfiriadis, Alexis | Drops | 2008-2009 | 4 or more with piano, percussion, 1 string, and 1 wind instrument | 5' or more | text with elements of graphic | [Info][Score] |
Porfiriadis, Alexis | For four people | 2018 | 4 or more | 2'30" or more | pitch and rhythm with elements of graphic | [Info][Score] |
Porfiriadis, Alexis | Frameless | 2019 | 4 to 6 | variable | text with elements of graphic | [Info][Score] |
Porfiriadis, Alexis | Happy Notes/Sad Notes | 2012 | variable | variable | text with elements of graphic | [Info][Score] |
Porfiriadis, Alexis | Love Song | 2016 | variable | 6' or more | text | [Info][Score] |
Porfiriadis, Alexis | One Minute is More Than One Minute> | 2011/2012 | 5 or more | 1' to 60' | text | [Info][Score] |
Porfiriadis, Alexis | Ping Pong Piece | 2018 | 2 | variable | text | [Info][Score] |
Porfiriadis, Alexis | Radschlag | 2013 | 5 or more | 7' or more | text | [Info][Score] |
Porfiriadis, Alexis | STC for ensemble | 2012 | 4 or more | 6' or more | text with elements of graphic | [Info][Score] |
Porfiriadis, Alexis | Tones, noises, melodies, and rhythms | 2015/2016 | 4 or more | 2' or more | text | [Info][Score] |
Porfiriadis, Alexis | Words of Nothing | 2010 | 2 or more | 5' or more | text | [Info][Score] |
Posthuma, Jonathan | Ancient Sound (No. 165) | 2019 | variable | variable | pitch and rhythm | [Score/Performance] |
Posthuma, Jonathan | The Blooming Garden (No. 158) | 2019 | 3 or more | 8'-10' | pitch and rhythm | [Score/Performance] |
Posthuma, Jonathan | Colorful Flower Beds (No. 161) | 2019 | 2 or more | variable | pitch and rhythm | [Score/Performance] |
Posthuma, Jonathan | Country House of Thomas R. (No. 163) | 2019 | soloist with variable | variable | pitch and rhythm | [Score/Performance] |
Posthuma, Jonathan | Like a Window Pane (No. 155) | 2020 | 1 with variable fixed media | variable | text | [Score] |
Posthuma, Jonathan | Static-Dynamic Gradation (No. 157) | 2019 | variable (2 ensembles) | variable | pitch and rhythm | [Score/Performance] |
Pousseur, Henri | Eclipticare ou les périples constellés | 1, 2, or 3 | 12' | [Details] | ||
Pousseur, Henri | Icare Apprenti | 1970 | variable | variable | [Details] | |
Pousseur, Henri | Icare obstiné | 1972 | [Details] | |||
Pousseur, Henri | Mnémosyne II | 1969 | 10'-12' | [Details] | ||
Pousseur, Henri | Les Noces d'Icare et de Mnémosyne | 1984 | 30' | [Details] | ||
Pousseur, Henri | Stravinsky au Futur | 1971 | 50' | [Details] | ||
Pousseur, Henri | Tarot Pérégrin | 1993 | bass and 6 instruments | pitch and rhythm | [Details][Excerpt from score] | |
Pritchard, Alwynne | Thor Sleeps | 2004 | variable | 7' | pitch and rhythm | [Details/Score] |
Pritsker, Gene | The Aria Sinking | 2017 | 4 or more | pitch and rhythm with elements of graphic | [Performance] | |
Pritsker, Gene | Blues Head and 5 Solos | 2009 | variable | pitch and rhythm | ||
Pritsker, Gene | Blues Head and 7 Solos | 2009 | variable | pitch and rhythm | ||
Pritsker, Gene | E-Cause | 2014 | 4 (treble, treble, bass, bass or all treble) | pitch and rhythm | [Performance] | |
Pritsker, Gene | Elements #1 | 2017 | 2 or more | [Performance] | ||
Pritsker, Gene | Elements #2 | 2018 | 1 with bass and drum set | |||
Pritsker, Gene | Sound Liberation Improvisation #1 | 2007 | 2 or more | pitch and rhythm | ||
Pritsker, Gene | Sound Liberation Improvisation #2 | 2007 | 4 or more with bass and drums | pitch and rhythm | ||
Pritsker, Gene | Sound Liberation Improvisation #3 | 2007 | 1 or more | pitch and rhythm | [Performance] | |
Pritsker, Gene | Sound Liberation Improvisation #4 | 2007 | 4 or more | pitch and rhythm | [Performance] | |
Pritsker, Gene | Sound Liberation Improvisation #5 | 2007 | 4 or more | pitch and rhythm | ||
Pritsker, Gene | Sound Liberation Improvisation #6 | 2007 | 4 or more | pitch and rhythm | [Performance] | |
Pritsker, Gene | Sound Liberation Improvisation #7 | 2008 | 3 or more | pitch and rhythm | [Performance] | |
Pritsker, Gene | Sound Liberation Improvisation #8 | 2008 | 2 or more | pitch and rhythm | ||
Pritsker, Gene | Sound Liberation Improvisation #9 | 2008 | variable | pitch and rhythm | ||
Pritsker, Gene | Two Voice Chorals | 2012-2020 | 2 or more | pitch and rhythm | ||
Read, Martin | La Tarantella | 2004 | variable with percussion | 5' | pitch and rhythm | [Details/Score] |
Redman, Will | Arch Dry Pool | 2017 | variable | variable | pitch and rhythm/graphic | [Score] |
Redman, Will | A Bold Value | 2018 | variable | variable | pitch and rhythm/graphic | [Score] |
Redman, Will | Book | 2006 | variable | variable | pitch and rhythm/graphic | [Details/Score][Performance] |
Redman, Will | Five Pieces for John Dierker | 2013 | 1 or more treble instruments | 7' | pitch and rhythm | [Details/Score][Performance] |
Redman, Will | Honoring Vertical Excellence 1 | 2011 | variable | variable | pitch and rhythm | [Details/Score][Performance] |
Redman, Will | Lume Vole | 2015 | 6 | variable | pitch and rhythm | [Details/Score][Performance] |
Redman, Will | Narrative is Fugative | 2014 | 2 treble instruments | 8' | pitch and rhythm | [Details/Score][Performance] |
Redman, Will | Scar Not O Crises | 2019 | variable | variable | pitch and rhythm/graphic | [Score] |
Redman, Will | Slow Moment | 2020 | variable | variable | pitch and rhythm/graphic | [Score] |
Riley, Terry | In C | 1964 | variable | variable | pitch and rhythm | [Details][Score][Performance] |
Riley, Timothy | Four Square | 2006 | 4 or more | [Details] | ||
Robert, Jean-Louis | Domino | 1976 | variable | variable | [Score][Performance] | |
Robert, Jean-Louis | Lithoïde I | 1976 | variable | variable | [Score] | |
Robert, Jean-Louis | Lithoïde II | 1976 | 3 | variable | [Score] | |
Robert, Jean-Louis | Lithoïde III | 1976 | variable | variable | [Score] | |
Robert, Jean-Louis | Lithoïde IV | 1976 | variable | variable | [Score] | |
Rose, Gregory | Paliopoli Stone Study | 2005 | 3 or more playing stones | [Details] | ||
Rosenberg, Shoshana | Becoming Closer | 2018 | variable | variable | ||
Rosenberg, Shoshana | Make a Decision | 2017 | variable | variable | text | [Score] |
Rosenberg, Shoshana | A New Option | 2017 | variable | variable | text | [Score] |
Rosenberg, Shoshana | Signal Vessel | 2017 | variable (groups of 3) | variable | text | [Score] |
Russell, Jonathan | Expanding and Contracting | 2004 | 2 treble and 1 percussion | 8'30" | pitch and rhythm | [Details][Score][Performance] |
Rzewski, Frederic | Coming Together | 1971 | variable | 20' | pitch and rhythm | [Score][Performance] |
Rzewski, Frederic | Les Moutons de Panurge | 1969 | variable | 15'+ | pitch and rhythm | [Score][Performance] |
Rzewski, Frederic | Thirteen Studies | 1977 | variable | variable | pitch and rhythm | [Score][Performance] |
Schankler, Isaac | Isolation Canon | 2020 | 3 or more instruments | 3' | pitch and rhythm | [Details/Score/Performance] |
Scolding, Ed | Distressed Passacaglia | 2010 | 20 or more | 7' | [Details] | |
Schuessler, Philip | Brain Gas Duo | 2017 | 2 | variable | pitch and rhythm | [Score] |
Schuessler, Philip | Brain Gas Quartet | 2018 | 4 | variable | pitch and rhythm | [Score] |
Schuessler, Philip | Brain Gas Score Builder | 2018 | variable | variable | pitch and rhythm | [Score] |
Schuessler, Philip | Five | 2007 | 5 | variable | pitch and rhythm | [Score] |
Schuessler, Philip | FourXTwo | 2013 | 4 or 8 | 1' | pitch and rhythm | [Score] |
Schuessler, Philip | Hymn for the Arc Harvester | 2019 | 7 or more | 5' | pitch and rhythm | [Score] |
Schuessler, Philip | Precision Music for Shitty Instruments | 2020 | 4 | 6' | pitch and rhythm | [Score] |
Schuessler, Philip | Six | 2018 | 6 | variable | pitch and rhythm | [Score] |
Segeant, Matthew | Earthworks | 2019 | variable mobile instruments | 10' | pitch and rhythm (with elements of graphic) | [Details/Score] |
Skempton, Howard | Air Melody | 1978 | ||||
Skempton, Howard | Christmas Melody | 1983 | ||||
Skempton, Howard | Highland Melody | 1982 | ||||
Skempton, Howard | Lament | 1972 | variable | [Performance] | ||
Skempton, Howard | May Pole | 1971 | variable | 5' | pitch and rhythm | [Score/Performance] |
Skempton, Howard | Recessional | 1983 | ||||
Skempton, Howard | Sirens for Orchestra | 2006 | 4 or more (treble and bass) | 5' | pitch and rhythm | [Details/Score] |
Smith, Ryan Ross | Study no. 0 | 2010/2019 | 1 or more | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 1 [Spoke] | 2010 | 8 or more | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 4 [Big Bear] | 2011 | 5 instrumentalists and electronics | 6' | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 5 | 2011 | 1 or more | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 6 [Escalators] | 2011 | 5 or more | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 6.1 | 2014 | 4 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 6.2 | 2014 | 4 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 6.3 | 2011/2018 | 4 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 8.1 | 2014 | 8 | 15' | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 9 | 2012 | 16 | 10' | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 9.1 | 2014 | 10 | 10' | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 11 [4x4] | 2012 | 4 | 6' | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 13 | 2013 | 5 or more instrumentalists and electronics | open | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 14 | 2013/2018 | 1 or more | open | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 14.1 | 2018 | 8 | open | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 15a [for Pauline Oliveros] | 2013 | 15 | open | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 15a.2 | 2013/2018 | 23 | open | animated | |
Smith, Ryan Ross | Study no. 15c | 2013 | 1 | open | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 15c | 2013 | 1 | open | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 19 | 2013 | 5 | 8' | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 25 [scales] | 2014 | 8 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 27 [up or down] | 2014 | 8 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 28 | 2013 | up to 16 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 31_3 | 2013 | 12 strings and winds | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 31_3 | 2013 | 12 strings and winds | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 32 | 2014 | 8 strings and/or winds | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 32.1 | 2014 | 8 strings and/or winds | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 34 | 2014 | 10 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 35 | 2013 | 50 singers or instrumentalists | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 37 | 2014 | 8 strings and/or winds | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 38 [Variations on Sol LeWitt’s Variations of Incomplete Open Cubes] | 2014/2018 | 8 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 39 | 2014 | 5 or more | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 40.1 [pulseighteen] | 2014 | 18 winds and/or strings | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 40.2 [pulseighty: pitched] | 2014 | 80 | 12' | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 40.3 [pulseven] | 2014 | 7 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 41 [rr:_____] | 2014 | 9 or more | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 43 | 2014 | 5 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 51 | 2016 | 5 | 4' | animated | [Performance] |
Smith, Ryan Ross | Study no. 52.1 | 2018 | 1 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 52.2 | 2018 | 2 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 52.3 | 2018 | 3 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 52.4 | 2018 | 4 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 52.5 | 2018 | 5 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 52.6 | 2018 | 6 | variable | animated | [Details][Performance] |
Smith, Ryan Ross | Study no. 52.7 | 2018 | 7 | variable | animated | [Details][Performance] |
Steiner, Timo | Sea Canon | 2011 | 4 or more (high, medium high, medium low, low) | pitch and rhythm | [Details/Score] | |
Stockhausen, Karlheinz | Aus den sieben Tagen | 1968 | variable | variable | text | [Score] |
Stockhausen, Karlheinz | Tierkreis | 1974-75 | variable | variable | text | [Details] |
Sutherland, Rowland | Soulistic | 2010 | 12 or more | 10' | pitch and rhythm | [Details/Score] |
Swayne, Adam | Maggie Maggie Maggie! Sing Sing Sing! | 2004 | large ensemble with fixed media | 6' | [Details] | |
Swayne, Adam | Many Dark Actors Playing Games | 2009 | 4 or more with percussion | pitch and rhythm | [Details/Score] | |
Talbot, Chris | General Cluster | 2006 | 1 to 15 with drummers | [Details] | ||
Tanaka, Karen | Holland Park Avenue Study | 2002 | 5 or more | pitch and rhythm | [Details/Score] | |
Tenney, James | Chamber Music | 1964 | [Details] | |||
Tenney, James | Choreogram | 1964 | variable with dancers | [Details] | ||
Tenney, James | Critical Band | 1988/2000 | variable with tape delay | [Score][Performance] | ||
Tenney, James | Form 1 | 1993 | variable | 18'50" | [Score][Performance] | |
Tenney, James | Form 2 | 1993 | variable | 16'50" | [Score][Performance] | |
Tenney, James | Form 3 | 1993 | variable | 14'10" | [Score][Performance] | |
Tenney, James | Form 4 | 1993 | variable | 16'10" | [Score][Performance] | |
Tenney, James | Harmonium #1 | 1976 | variable | 20' | [Score][Performance] | |
Tenney, James | Harmonium #7 | 2000 | 12 or more | 9'-18' | [Score][Performance] | |
Tenney, James | In a large, open space | 1994 | 12 or more | variable | [Score][Score][Performance] | |
Tenney, James | In a large, reverberant space | 1995 | 12 or more | variable | [Score] | |
Tenney, James | Metabolic Music | 1965 | [Details] | |||
Tenney, James | Timbre Ring | 1971 | [Score][Performance] | |||
Ticheli, Frank | In C Dorian | 2020 | 3 or more | variavble | [Score] | |
Toovey, Andrew | Acrobats | 1995 | 12 or more | 10' | pitch and rhythm | [Details/Score] |
Toovey, Andrew | Music for Painter Jack Smith | 2002 | 7 with conductor playing bass drum | 7' | pitch and rhythm | [Details/Score] |
Toovey, Andrew | Oldham | 2010 | 4 or more | pitch and rhythm | [Details/Score] | |
Toovey, Andrew | Walking Fanfare | 2014 | 8 or more | 4' | pitch and rhythm | [Details/Score] |
Torry, Tim | A Canon for Alan | 2007 | 4 | [Details] | ||
Ueno, Ken | Timbre Studies | 2018 | variable | variable | text | |
Venables, Philip | Dutch Courage | 2004 | treble, bass, and percussion instruments | 4'30 | pitch and rhythm | [Score][Performance] |
Vivier, Claude | Pulau Dewata | 1977 | variable | 12' | [Details/Score] | |
Walshe, Jennifer | he was she was | 2008 | 4 or more with fixed media | 5'10" | pitch and rhythm | [Details] |
Walshe, Jennifer | This Is Why People OD On Pills/and Jump from the Golden Gate Bridge | 2004 | 2 to 10 | 5' | [Details][Performance] | |
Weeks, James | ærc quartets | 2016/2018 | 4 string instruments | 28' | [Details][Score] | |
Weeks, James | Cornish String Music | 2015 | 16 or more orchestral string instruments | 15' | pitch and rhythm | [Details][Score][Performance] |
Weeks, James | Fantastic Alarms of the Shaking Lumanances | 2006 | 12 or more | 18' | [Details] | |
Weeks, James | Olympic Frieze | 2014 | 12 or more | variable | pitch and rhythm | [Details][Score][Performance] |
Weeks, James | Stacking, Weaving, Building, Joining | 2006 | 6 or more pitched instruments | variable | pitch and rhythm | [Details][Score] |
Weir, Judith | Sinfonia Comatica | 2014 | 7 or more | 1'30" | [Score][Recording] | |
Williams, Nick | Cast | variable | 8' | [Details] | ||
Williamson, James | Old Peculiar | 2008 | [Details] | |||
Wolff, Ann | Chideock Beach | 2002 | 4 or more | 4 | [Details] | |
Wolff, Christian | Braverman Music | 1978 | 4 or more | [Score] | ||
Wolff, Christian | Brooklyn | 2015 | 6 or more | [Score] | ||
Wolff, Christian | Burdocks | 1970-71 | 5 or more | [Score][Performance] | ||
Wolff, Christian | Dijon | 2012 | 4 to 10 | [Score][Performance] | ||
Wolff, Christian | For 1, 2, or 3 People | 1964 | 1, 2, or 3 | [Score][Performance] | ||
Wolff, Christian | For 5 or 10 People | 1962 | 5 or 10 | [Score] | ||
Wolff, Christian | Grete (Microexercises 23-36) | 2007 | 2 or more | [Score][Performance] | ||
Wolff, Christian | Hands and Others | 2014 | 3 or more | [Score] | ||
Wolff, Christian | I Like to Think of Harriet Tubman | 1985 | female voice, and one each of treble, alto, and bass instruments | [Score] | ||
Wolff, Christian | In Between Pieces | 1963 | 3 | [Score] | ||
Wolff, Christian | Metal and Breath | 2007 | 2 or more | [Score] | ||
Wolff, Christian | Microexercises | 2006 | 1 or more | [Score][Performance] | ||
Wolff, Christian | Or 4 People | 1994 | 1 to 4 | [Score] | ||
Wolff, Christian | Pairs | 1968 | 2, 4, 6, or 8 | [Score] | ||
Wolff, Christian | Resistance | 2016-17 | at least 10 | [Score][Performance] | ||
Wolff, Christian | Santa Fe | 2012 | 4 or more | [Score] | ||
Wolff, Christian | Septet | 1964 | 7 and conductor | [Score] | ||
Wolff, Christian | Snowdrop | 1970 | 1 or more | [Score][Performance] | ||
Wolff, Christian | Tilbury | 1969 | any number | [Score][Performance] | ||
Wolff, Christian | Tilbury 2 and 3 | 1969 | any number | [Score] | ||
Wolff, Christian | Tilbury 4 | 1969 | any number | [Score] | ||
Wolff, Christian | Where | 2015 | 6 or more | [Score] | ||
Wollschleger, Scott | Digital Sensation | 2007 | variable | [Details][Performance] | ||
Wollschleger, Scott | Folding | 2012 | variable | [Details] | ||
Wollschleger, Scott | Our Sense of the Real Part IV | 2018 | variable | 8' | [Details] | |
Wolters, Michael | Ballungsraum | 2010 | solo for low string instrument and 3 or more variable | pitch and rhythm | [Details/Score] | |
Z, Pamela | Twenty Answers | 2008 | variable | text | [Details][Recording] | |
Zorn, John | Cobra | 1984 | variable | text | [Score][Performance] | |
Zucker, Ben | Canticum | 2012/2014 | 6 | [Listen] | ||
Zucker, Ben | Fifth Season | 2013/2015 | variable | text | [Listen] | |
Zucker, Ben | In/difference | 2016-2018 | 3 | [Listen] | ||
Zucker, Ben | Massumi Distributions (for 5) | 2022 | 5 | [Watch] | ||
Zucker, Ben | Obsponsive | 2022 | 4 | [Listen] | ||
Zucker, Ben | Refinites | 2017 | Variable | [Listen/Score] | ||
Zucker, Ben | Reresponsives | 2018-2022 | 4 | [Watch] |